![]() |
||
|
|
Three Skeleton Key |
Adaptation by The One Act Players Music by Clark Stiefel From the short story by George Toudouze. Original radio adaptation by James Poe Tagline: The one with the rats. First lines: (Jean) "Picture this place, a gray tapering cylinder welded by iron rods and concrete to the key itself. A bare, black rock, one hundred fifty feet long, maybe forty wide ... that's at low tide. At high tide just the lighthouse rising one hundred ten feet straight up out of the ocean, and all about the churning water, gray-green, scum dappled, warm as soup." Trivia: An old San Francisco hospital stairwell and boiler room "doubled" for the lighthouse in the remote recording sessions.
|
|||
|
by
Ana Ripka Music by Ron Sorbo and Jack Waldenmaier; arranged using the Sonic Fire Pro system by Piers vander Groot Tagline: The world is not black and white, nor endless shades of grey, but filled with the most beautiful colors; if only she could see them. First line: (King) "Today a daughter, a princess, an heiress to my Kingdom is born." Trivia: This is the first English language translation and performance of Ana Ripka's play. The play has been staged by the Romanian National Theater and broadcast over Romanian National Radio.
|
|||||
| by
Bruce Kane Music by Clark Stiefel Tagline: A bawdy, pun-filled, double entendre drenched look at Caesar, Cleopatra and the folks who ran the Roman Empire ... right into the ground. First Line: (Brutus) "Caesar has returned to Rome; the mob treats him like a god." Notable Line: (Cleopatra) "Tell me, Marc Antony, have you ever played toga-toga-who's got the toga?" Trivia: Randal also plays Senator #2, Preposterous, the Herald; John also plays Senator #1, Ludicrous, Thesaurus; Perry also plays Ridiculous.
|
|
||||
| by
Bruce Kane Music by Clark Stiefel with Pascal Schweren on saxophone. Tagline: Take one part Dashiell Hammett, add two parts Shakespeare (or vice versa), and you get the greatest murder mystery ever told; if I were you, pal, I'd take notes. First Line: (Thyme) "It ended like most of my cases ... with everybody dead ." Notable Line: (Claudius) "Now if you'll excuse us Thyme, the Queen and I have to discuss my ascension to the throne ... if you know what I mean." Trivia: Mark also plays Rosencrantz and the fight announcer; Perry also plays Guildenstern and reads our credits; John barely disguises his voice to play King Hamlet and the said same ghost.
|
|||||
| Candy
Matson "The Cable Car Murder" |
By
Monty Masters Music by Clark Stiefel Art design by Marilynn Fowler First Line: "Do you have a little unsolved murder in your home? A little blackmail you want to unload? Are you the victim of some vulgar extortionist? Well, I know a gal you should meet. She may not be the best private eye in the world, but she sure is sweet."
|
||||
| Passion
Poison & Petrification |
By
George Bernard Shaw Music: Johann Nepomuk Hummel – Bassoon Concerto in F Major Courtesy of Naxos Records c. 1999 First Line: (Magnesia) "What time did the clock strike, Phyllis?" Trivia: To guarantee correct pronounciation of the Landlord's outrageous accent, Shaw wrote the lines out phonetically.
|
||||
| The
Gas Town Mysteries:
CASE OF THE CURIOUS ETCHING THE
MYSTERY OF THE MYSTERIOUS METEORITES
|
Recorded at Studio Bob, San Francisco. Written, Produced & Directed
by Glenn Carlson & Digby Christian for WHAT You Say Productions. Listen for the ridiculous product placements in each of the two minute "daily" installments.
|
Listen
to
|
|||
| The
Mark Markheim Vengeance
in Vegas |
by
Hal Glatzer Art design by Marilynn Fowler |
Listen
to
|
|||
| The Killist
|
by Emmett Loverde Art design by Marilynn Fowler First Line: (Killist) "You ... you there!"
|
||||
| The Adventures of Sherlock Holmes The Speckled Band A Scandal in Bohemia The Final Adventure |
Adaptation
by The One Act Players Art design by Scot Crisp
|
||||
| Flash Gordon Winner
of the 2000 Silver Mark Time Award for Excellence in Science Fiction Audio
Theatre |
Adaptation
by The One Act Players Flash Gordon is the property of King Features Syndicate/Hearst Publications
|
||||
| Great
Moments Great
Fish of Giza Cake
No Frosting Standing
Tall |
The Great Fish of Giza recorded at Lindner Sound. Produced & Directed by Glenn Carlson. Cast: Pharoah - John True; Priest - Glenn Carlson; Flunky - Digby Christian; with Scot Crisp and Seth Sher Cake No Frosting recorded at What You Say Studios. Produced & Directed by Glenn Carlson. Cast: Marie Antoinette - Marie-Amelie Poisson; The Jailer - Digby Christian Standing Tall recorded at What You Say Studios. Produced & Directed by Glenn Carlson. Cast: Sol - John True; Roxie - Terri Dien; Eddie - Jay Momet; Homo Erectus - Glenn Carlson Shakespeare
recorded at What You Say Studios. Produced & Directed by Glenn Carlson.
Cast: Shakespeare - John Mercer; The Manager - Digby Christian
|
||||
| The
Horla |
Adaptation
by The One Act Players Music:
Bach, Paritas Harpiscord
#5 c. 1979 courtesy of Angel Records, NY. Mozart, Piano
Concerto #27 K. 595 c. 1974 courtesy of Deutsche Grammophone GmbH,
Hamburg Germany.
|
||||
| The
Emperor's New Clothes |
Adaptation
by Jim Cort**
Music: Zeit
der Dammerung c. 1999
|
|
|||
| Trouble
in the Works |
by
Harold Pinter
|
I suppose you can say there has been a little trouble in the factory. Mr. Pinter's representatives have denied us authorization to proceed further with our production. Sad news for us; we hope someday they will reconsider because it's perfection I tell you, nothing short of perfection. |
|||
| IN
PRODUCTION: |
|||||
| Hot
Dames & Hot Lead |
by Jim Gustafson | ||||
| Nine
Hundred Pounds |
by Charles Bukowski** 900 Pounds c. 1983 by Charles Bukowski, adapted from "Hot Water Music" with the permission of Black Sparrow Press "Hot
Water Music" can be purchased for $15 (softcover) or $25 (hardcover)
from |
||||
| Cell
Phone |
by Digby Christian* | ||||
| The Players wish to thank Jim Cort for entrusting us with his work. He can be reached at: jimcort(at)hotmail.com | |||||
| Please contact The One Act Players before copying, rebroadcasting or distributing our productions beyond standard personal use protocol, so that appropriate rights and permissions can be granted in adherence to the laws and regulations pertaining to intellectual copyrights. | |||||